Friday, March 15, 2013

Resident Artist Auditions Reopened!


 March 22, 2013, 6-8 pm


Underworld Productions Opera is reopening auditions for the Spring 2013 Resident Artist program. Covers for roles in the New York City premiere of Alessandro Scarlatti’s “Il Trionfo dell’Onore” will be cast from Resident Artists. Covers will have the opportunity to coach Early Music style and ornamentation with the expert Dorian Bandy, who is in demand as an orchestral leader with ensembles across the US and Europe. Covers will have a performance with instruments on May 5, 2013.

Auditions are on Friday, March 22, 2013 from 6-8 pm. For consideration, please send your resume, headshot and YouTube clips if available to Gina Crusco at underworldprod@gmail.com. Please prepare two contrasting arias in Italian. An accompanist will be provided at the audition. 

Rehearsals take place mostly on Tuesdays, Wednesday, and Friday evenings in Manhattan, with musical preparation by Dorian Bandy and stage direction by Gina Crusco. Orchestra performances with Sinfonia New York are on May 17 at Casa Italiana, and May 22 and May 23 at Thalia Theatre at Symphony Space.

Tuition for the entire program is $850. Some full and partial scholarships are available based on artistic merit and financial need.

Additional information

Il Trionfo dell’Onore

Alessandro Scarlatti’s only comic opera in its New York premiere.

Cover roles available are Leonora (mezzo); Rosina (lyric mezzo); Erminio (mezzo pants role); Flaminio (tenor); and Rodimarte (bass-baritone).

Cover performance with reduced instrumental forces on May 5 at MOSA; orchestral performances May 17 at Casa Italiana, and May 22 and 23 at Leonard Nimoy Thalia Theatre, Symphony Space.

Dorian Bandy, music director; Gina Crusco, stage director; with Sinfonia New York orchestra.

There is no chorus in this opera.


Outreach performances

Additional outreach performance opportunities may be available to RAs.


Auditions

If selected for an audition, you will be provided with:

1. An audition timeslot on March 22 2013, between 6-8 pm.

2. Manhattan audition location details.

3. An accompanist at the audition. 

There is no age limit for this program.



Monday, January 28, 2013

CrossCURRENT 2013


The rising tide of contemporary vocal music.
The undertow of the traditional.

Friday, March 8, 2013 at 7 pm
Casa Italiana Zerilli-Marimo at NYU 
24 W. 12th St.
between Fifth and Sixth Avenues
$20 advance sale tickets
Lauren Alfano and Evan Flath in Outer Borough Songs

Contemporary works by Thomas Deneuville, 
Henry Papale,  Corinna Manetto and Michael Dutka
Works by Donizetti, Schubert, Puccini, and others


Performed by Underworld Productions Opera
with
Evan Flath, guitar
Kostja Kostic, clarinet
Elizabeth Rodgers, piano
Gina Crusco, director


Black Horses by Michael Dutka
A 15 minute chamber opera for soprano, tenor, clarinet, and piano. 
Nero has a new job pulling a heavy cart with three other black horses, 
little knowing what the sad cargo may be. 
Michael Dutka

A graduate of Sarah Lawrence’s music program, Michael studied harmony with Alexander Lipsky, counterpoint with David Loeb of the Curtis Institute, and composition and orchestration at Mannes with Charles Jones and Rudy Palmer. Black Horses  is Michael’s fourth opera, which OperaDelaware premiered at the 2009 Wilmington Arts Festival, along withThe Stronger, based on the Strindberg play. The Crowded House, a children’s opera / ballet was performed at the 2010 Philadelphia Arts Festival, and Underworld Productions commissioned and premiered Animales en Rima, a bi-lingual work based the poetry of Mexican poet Elisa Gonzalez. On April 27, in the Cathedral of St. John the Divine, The Interfaith Committee of Remembrance, along with the Brooklyn Philharmonic, will premiere excerpts of Liebovar, his latest opera, about prisoners in a Terezin-like concentration camp, who write an opera to try to save their lives. A native New Yorker, Michael now lives, writes operas, and rides his horse, Sir Richard Cholmondeley, in Doylestown, PA.

Outer Borough Songs by Thomas Deneuville

For electric guitar and soprano. 
Brooklyn, Queens, and Staten Island frame political and personal dramas in music tinged with rock and French courtly airs. 

Thomas Deneuville.  Photo by Axel Dupeux.

Thomas Deneuville was born in Provence, grew up in Tahiti, and was educated in Paris, Milan and New York, where he received his BA and MA degrees is composition. He has experimented with Irish traditional music, rock, and carnatic music, and studied composition with Shafer Mahoney, Eric Tanguy and Tristan Murail. His contemporary classical music creates a genuine connection with his audiences while raising awareness on societal issues. His music has been performed at Music with a View Festival (Tribeca), CUNY New Music Festival, Cornelia Street Cafe, Wild Project, the Masters & Pelavin Gallery, the Estonia House, and Andrea Clearfield's Salon in Philadelphia. A recording of this Half Clarinet Quartet will be released this Spring.


Caro Mio Ben/Too Much Alone 
by Corinna Manetto
from You Must Be Mine: The Story of Anita & Giuseppe Garibaldi

For soprano, baritone, and jazz piano.
Garibaldi has been fighting for weeks.  Anita waits for him to come home.

Corinna Manetto. Photo by Peer Bazarini.

Corinna Manetto began her career at the top: singing on Broadway in The King and I with Yul Brynner. Other singing credits include the Gary Moore Show on CBS, Once Upon a Mattress with Carol Burnett, Bernstein's Theatre Songs with Theatre de Lys, and studio recording with Frank Sinatra, Tony Bennett, Burt Bacharach, and many others. After her best friend's husband told her how the Garibaldis met, she ordered 20 books and spent 3 years writing of their 10 years together. 



 Ten Songs on poems by Stephen Crane 
by Henry Papale 

For voice and piano. 
The author of The Red Badge of Courage reveals a vision in which humans are left to fend for ourselves.


Henry Papale


Henry Papale was born in Pittsburgh, Pennsylvania in 1937.  He has composed 8 operas, some 40 works for chorus, 140 Songs, 43 chamber works (including 10 String Quartets), and 250 works for piano, with performances in New York, Toronto, Phoenix, Pittsburgh, Cincinnati, Los Angeles, and venues in New Jersey including the John Harms Auditorium. UPO premiered his operatic monodrama JULIA at the Thalia Theatre in 2007 and frequently performs his works in concert.


Performers include:
Hillary Esqueda, soprano
Stephanie McGuire, mezzo-soprano





Elise Jablow, soprano
Bill Heigen, tenor


AND: 
Lauren Alfano, Tara Bobiak, 
Rachel Policar, Miran Robarts, Briana Sakamoto


Wednesday, January 9, 2013

Winterim 2013

UPO Gala December 7, 2012 with Resident Artists and guests

Winterim 2013 Resident Artist Auditions
Wednesday January 23, 2013, 6-8 pm


The program was an excellent way to test out new repertoire, new ideas and new stagings and receive immediate feedback. I enjoyed being part of such an intimate, supportive group – something rare and valuable in a program like this. The performing experiences gave me so much insight as I compared my initial performance with the final product. For me those opportunities are like gold! -- Alicia Williams, Fall 2012 Resident Artist

The Winterim 2013 RA program offers:

  • Group coaching on traditional arias and contemporary fare 
  • Special Guest workshop/s with noted professionals
  • Outreach performance opportunities
  • Performance in CrossCURRENT concert on March 8.

Tuition: $450. Some scholarships available.

Just being fresh out of school, I am eager to get out and sing for as many people as I can. UPO provided great opportunities to do that. It was so rewarding to perform for such an encouraging crowd and to feel proud not only of my own performance, but of those of the other Resident Artists. With Gina Crusco’s and Elizabeth Rodgers' excellent guidance, I felt that we all succeeded.
                          -- Elise Jablow, soprano, Fall 2012 Resident Artist

For audition consideration, please send your resume and headshot to Gina Crusco, Artistic Director, at underworldprod@gmail.com.


Additional information


CrossCURRENT is a concert exploring the intersection of traditional opera and contemporary vocal music to be performed March 8, 2013 at 7 pm at Casa Italiana Zerilli-Marimò at NYU.

Sessions begin on January 30 and take place mostly on Wednesday evenings.
You will get coaching on arias from your repertoire, from which will be made selection/s for performance at the March 8 concert.
You may be provided with a contemporary piece to learn for the concert; it will not be necessary to memorize it. 
Core faculty is Gina Crusco, UPO Artistic Director, and Elizabeth Rodgers, pianist, Manhattan School of Music opera coach.
Guest workshops TBA.

Auditions

For audition consideration, please send your resume and headshot to Gina Crusco, Artistic Director, at underworldprod@gmail.com.

If selected please prepare one traditional aria and one piece by a living or recent classical composer. 

UPO will provide you with:

1. An audition timeslot on Wednesday, January 23, 2013, between 6-8 pm.

2. Manhattan audition location details.

3. Instructions for submitting your $25 non-refundable audition fee, receipt of which will confirm your slot. 

4. An accompanist at the audition. 

There is no age limit for this program.

Audition fee is waived if you are referred by a UPO RA program alum!






Monday, December 24, 2012

Spring 2013 Resident Artist Auditions





UPO Gala December 7, 2012 with Resident Artists and guests

Spring 2013 Resident Artist Auditions
Wednesday January 16, 2013, 6-9 pm

Bridge the gap between education and a professional career! 

The Underworld Productions Opera Resident Artist program transforms singers into full-fledged stage performers.


Guest Artists may also audition at this time, and must have one or more publicly-performed lead roles with orchestra to their credit.

The Spring 2013 RA program offers:

  • 20+ hours of group coaching on traditional arias and contemporary fare 
  • Performance in CrossCURRENT concert on March 8 
  • 70+ hours of rehearsal for Scarlatti’s Il Trionfo dell’Onore 
  • Lead roles and covers in Trionfo performances May 5, 17, 22 and 23


Tuition: $1250. Some full and partial scholarships available as rebates upon successful completion of the program.


Just being fresh out of school, I am eager to get out and sing for as many people as I can. UPO provided great opportunities to do that. It was so rewarding to perform for such an encouraging crowd and to feel proud not only of my own performance, but of those of the other Resident Artists. With Gina Crusco’s and Elizabeth Rodgers' excellent guidance, I felt that we all succeeded on our own terms.
                           
 -- Elise Jablow, soprano, Fall 2012 Resident Artist

For audition consideration, please send your resume and headshot to Gina Crusco, Artistic Director, at underworldprod@gmail.com.


Additional information


CrossCURRENT
A concert exploring the intersection of traditional opera and contemporary vocal music.
Performance March 8, 2013 at 7 pm at Casa Italiana Zerilli-Marimò at NYU.

Rehearsals begin on January 23 and take place mostly on Wednesday evenings.
You will get dramatic coaching on 2 arias from your audition repertoire, at least 1 of which will be selected for performance at the March 8 concert.
Your core faculty is Gina Crusco, UPO Artistic Director, and Elizabeth Rodgers, pianist, Manhattan School of Music opera coach.
You may be provided with a contemporary piece to learn for the concert; it will not be necessary to memorize it.


Il Trionfo dell’Onore
Alessandro Scarlatti’s only comic opera in its New York premiere.
Keyboard performance May 5 at MOSA; orchestral performances May 17 at Casa Italiana, and May 22 and 23 at Leonard Nimoy Thalia Theatre, Symphony Space.

Dorian Bandy, music director; Gina Crusco, stage director; with Sinfonia New York orchestra.
Rehearsals begin March 12 and take place mostly on Tuesdays, Wednesday, and Friday evenings in Manhattan.
Lead roles and covers are available for all parts (3 sopranos, 2 mezzos, 2 tenors, and 1 bass-baritone); some are travesty roles. There is no chorus in this opera.


Outreach performances

Additional outreach performance opportunities may be available to RAs.


Auditions

For audition consideration, please send your resume and headshot to Gina Crusco, Artistic Director, at underworldprod@gmail.com.

If selected you will be provided with:

1. An excerpt from Trionfo to be sung (on or off-book) at your audition. Please also prepare one traditional aria and one piece by a living or recent classical composer.

2. An audition timeslot on Wednesday, January 16, 2013, between 6-9 pm.

3. Manhattan audition location details.

4. Instructions for submitting your $25 non-refundable audition fee, receipt of which will confirm your slot.

5. An accompanist at the audition. 

There is no age limit for this program.